Mogens by J.P. Jacobsen
When the sun had set on the evening of the next day, they walked about together in the garden. Arm in arm they walked very slowly and very silently up one path and down the other, out of the fragrance of mignonettes through that of roses into that of jasmine. A few moths fluttered past them; out in the grain-field a wild duck called, otherwise most of the sounds came from Thora’s silk dress.
“How silent we can be,” exclaimed Thora.
“And how we can walk!” Mogens continued, “we must have walked about four miles by now.”
Then they walked again for a while and were silent.
“Of what are you thinking now?” she asked.
“I am thinking of myself.”
“That’s just what I am doing.”
“Are you also thinking of yourself?”
“No, of yourself—of you, Mogens.”
He drew her closer. They were going up to the conservatory. The door was open; it was very light in there, and the table with the snowy-white cloth, the silver dish with the dark red strawberries, the shining silver pot and the chandelier gave quite a festive impression.
“It is as in the fairy-tale, where Hansel and Gretel come to the cake-house out in the wood,” Thora said.
“Do you want to go in?”
“Oh, you quite forget, that in there dwells a witch, who wants to put us unhappy little children into an oven and eat us. No, it is much better that we resist the sugar-panes and the pancake-roof, take each other by the hand, and go back into the dark, dark wood.”
They walked away from the conservatory. She leaned closely toward Mogens and continued: “It may also be the palace of the Grand Turk and you are the Arab from the desert who wants to carry me off, and the guard is pursuing us; the curved sabers flash, and we run and run, but they have taken your horse, and then they take us along and put us into a big bag, and we are in it together and are drowned in the sea.— Let me see, or might it be . . .?”
“Why might it not be, what it is?”
“Well, it might be that, but it is not enough. … If you knew how I love you, but I am so unhappy—I don’t know what it is—there is such a great distance between us—no—”
She flung her arms round his neck and kissed him passionately and pressed her burning cheek against his:
“I don’t know how it is, but sometimes I almost wish that you beat me—I know it is childish, and that I am very happy, very happy, and yet I feel so unhappy!”
She laid her head on his breast and wept, and then she began while her tears were still streaming, to sing, at first very gently, but then louder and louder:
“In longing
In longing! live!”
“My own little wife!” and he lifted her up in his arms and carried her in.
In the morning he stood beside her bed. The light came faintly and subdued through the drawn blinds. It softened all the lines in the room and made all the colors seem sated and peaceful. It seemed to Mogens as if the air rose and fell with her bosom in gentle rarifications. Her head rested a little sidewise on the pillow, her hair fell over her white brow, one of her cheeks was a brighter red than the other, now and then there was a faint quivering in the calmly-arched eyelids, and the lines of her mouth undulated imperceptibly between unconscious seriousness and slumbering smiles. Mogens stood for a long time and looked at her, happy and quiet. The last shadow of his past had disappeared. Then he stole away softly and sat down in the living-room and waited for her in silence. He had sat there for a while, when he felt her head on his shoulder and her cheek against his.
* * *
They went out together into the freshness of the morning. The sunlight was jubilant above the earth, the dew sparkled, flowers that had awakened early gleamed, a lark sang high up beneath the sky, swallows flew swiftly through the air. He and she walked across the green field toward the hill with the ripening rye; they followed the footpath which led over there. She went ahead, very slowly and looked back over her shoulder toward him, and they talked and laughed. The further they descended the hill, the more the grain intervened, soon they could no longer be seen.
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